|Size:||102 x 75 cm|
|Edition Number:||43 / 150|
|Size:||139.7 x 103.5 cm|
|Size:||88x 67 cm|
|Edition Number:||AP 300|
|Observation:||Signed and uniquely dedicated from the unnumbered edition of 300|
American artist. Milton Ernst Rauschenberg was born on October 22, 1925, in Port Arthur, Texas. He studied at the Kansas City Art Institute (1946–7), the Académie Julien, Paris (1947), and with Josef Albers and John Cage at Black Mountain College, North Carolina (1948–50).
Traveling widely, he was based in New York City from 1950, where he and Jasper Johns paved the way for pop art of the 1960s. He worked with the Merce Cunningham Dance Company, New York, as costume and stage designer (1955–64).
An imaginative and eclectic artist, he used a mix of sculpture and paint in works he called ‘combines’, as seen in The Bed (1955). From the late 1950s he incorporated sound and motors in his work, such as Broadcast (1959), and silk-screen transfers, as in Flush (1964).
Throughout the 1980s and 1990s, he experimented with collage and new ways to transfer photographs. In 1997 the Solomon R Guggenheim Museum, New York City, staged a major exhibition of his works, showcasing the breadth and beauty of his work and its influence over the second half of the century.
Pop artist Robert Rauschenberg died on May 12, 2008 in Lee County, Florida.